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Details:
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Sculptor:
Albert Hemstock Hodge
(1875-1917).
Architects:
James Salmon II
and
J Gaff Gillespie
.
Location: 752 Argyle Street, Glasgow.
Date executed: 1899-1900.
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One of the finest and most delicately ornamented Glasgow-Style
buildings in the city, the building was erected by the Glasgow Savings
Bank in 1899-1900, as their Anderston Branch.
Built in red Locharbriggs
sandstone, like many other bank developments at the time the building was
designed as a tenement with the bank and a shop on the ground floor,
and was provided with a (by then obligatory) corner tower which
identified the bank's presence in the once heavily built and populated
street, which lends a Baronial aspect to the building's style.
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This is emphasised by the Medieval motifs in the building's sculpture
scheme, such as heraldry, angels, Celtic-type inscriptions and stylised
plants.
The heraldry at the bank's main door represents the Arms of
Scotland and Glasgow supported by medieval maidens and knights, and
figures of St Andrew (holding a Saltire cross), the Patron Saint of
Scotland, and St Mungo (holding a bell), the founder and Patron Saint
of Glasgow. The ribbons at their feet are inscribed with the national and
civic mottos Nemo Me Impune Lacessit (trans: no one provokes me
with impunity) and Let Glasgow Flourish.
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The medieval theme is continued in the decoration of the tower itself.
This is carved with a further Glasgow-style version of the City Arms and
two Angel caryatids holding objects (now badly worn) that probably identify
them as symbolizing Industry and Commerce.
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Directly above the main entrance is a portrait bust of Henry Duncan, the
founder of the Glasgow Savings Bank, holding a
money bag and tapping his forehead; as if contemplating refusing a request
for a loan. Appropriately, the roundel surrounding the bust is decorated
with coins.
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The rest of the decorative work includes a colourful Peacock mosaic above the main entrance
(with the date 1900) by the British & Italian Mosaic Co.; a tiny Celtic figure carved on the
keystone; and a splendid set of wrought-iron gates by George Adam & Son.
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